Enemy Planes, Moncelas Boston, Beasthead, MINNIE / BLUNTZ, TABAH, Keith Millions ( Nightchurch )

First Annual Uptown Revival

Enemy Planes, Moncelas Boston, Beasthead, MINNIE / BLUNTZ, TABAH, Keith Millions ( Nightchurch )

Sponsored by Fulton Beer

Fri · July 28, 2017

Doors: 8:00 pm / Show: 8:00 pm

$10.00 - $15.00

Off Sale

This event is 21 and over

Enemy Planes
Enemy Planes
Electronic indie band from Minneapolis, MN.

Members:
Casey Call - Lead Vocals, Keys/Synths, Guitar
Joe Gamble - Guitar
David LeDuc - Bass
Kristine Stresman - Keys/Synths, Vocals, Percussion
Shön Troth - Lap Steel Guitar
Moncelas Boston
Beasthead
MINNIE / BLUNTZ
MINNIE / BLUNTZ
It was in South By Southwest. The year was 2012. It was hot; at least comparatively to Minnesota -- their homeland. Mo [Bluntz] had flown from Kansas to Texas to attend the sprawling festival. He was in the middle of his first tour with Astronautalis and was about to meet up with his other band, Me and My Arrow, to do an insane run of 19 shows in a matter of 4 days between the two bands. Victoria [AKA Minnie Blanco], on the other hand, had travelled down to Texas as the tour manager for a fresh new local act that called themselves Poliça. Since Minnesotans don't like to go far from each other because they're afraid to lose precious body-heat and/or friends, it was only natural that Mo and Victoria would cross paths and spark what would become a long and interesting friendship. Nothing could prepare either party for the drama that would ensue at South By Southwest 2012, or the months after, but Mo and Victoria found confidants in each other.

Jumping forward in time, Mo and Vicki's friendship blossomed, but they never touched instruments together until the start of spring in 2016, and they had both been dumped simultaneously. Seeking solace in their mutual friendship, the two of them began writing songs to take their minds off things.

Jumping further still, they recorded a record and recruited Tara Davis, Lydia Liza and Lindsey Ladell to their band. Their music is a combination of influences ranging from poppy electronic, to smooth hip-hop, to punk rock and features honest and easily relatable lyrics; perpetual hooks and choruses that are fun to sing; danceable melodies and introspective chords. All of these things combined created MINNIE / BLUNTZ
TABAH
TABAH
The five-piece Minneapolis-based band Tabah is often called out in the local press about its vocalist, Cecelia Erholtz. The word “Earthy” gets used a lot, and while not inaccurate, it leans into a place that is smaller than what is actually required to describe her. As a matter of fact, Erholtz’s “Earthy” vocals communicate something more universal than what could be attributed to any one planet. They could be “Jupitery,” or “Saturny,” and even Heavenly on Tabah’s debut album Symmetry Somewhere, scheduled for release on March 17th, 2017.

Erholtz’s powerful voice – she also contributes on guitar – needs a powerful band to support it. Grounded, if you will. Earthy? Tribal. It comes in the form of the adept playing of her classically-trained bandmates, Jeff Ley (guitar/vocals), Charlie Bruber (bass/vocals), Andrew Seitz (keyboards, vocals), and Murphy Janssen (drums/percussion)..

Together – and Tabah’s musicians really do sound like they are playing together – the band takes this music to a unique place where psych-heaviness and ethereal-wisp combine in a way that hasn’t necessarily been heard like this before. Consider this: Symmetry Somewhere is a head-bobbing, mind-bender of an album that was recorded in Nashville, and could pass for folk in its quieter moments, but is still loud enough to piss off neighbors by blowing off their doors.

Recorded live to tape, with minimal overdubs, the band worked tirelessly during the day at Welcome To 1979 Studios, and then retired to a cattle ranch just outside of Nashville where they would meet at a gazebo near a frog pond. That place soon became a temple where the five would find themselves reflecting, releasing, and crafting closely amongst relaxed moonlight, soft mornings and Southern thunderstorms.

“We became so close on that trip that it sometimes feels like we’re still there,” Bruber recalls. Perhaps Symmetry Somewhere is the sound of trust and distrust combined then, a document of the band’s evolution from five into one. “A balancing act of destruction and perseverance,” as Bruber terms it.

At the end of the day, however, Tabah is pragmatic when it comes to this, encouraging listener interpretations rather than trying to define them. Describing Tabah as a “blank and meaningless canvas,” Bruber continues, saying, “We are eternally grateful for the ways people have perceived us so far, and we believe that this album will finally allow listeners to get a sense of what we are really going for in our music.”

So far, it’s made a lot of sense for the Minneapolis NPR-affiliate, 89.3 The Current, which has consistently supported Tabah since the band’s first EP release in 2015, giving the single heavy rotation and naming it one of the best local tracks of the year. The resultant sell-out crowds at Tabah’s hometown venue, the famed 7th Street Entry, have only further cemented the group as a must-see live act in the city; a mystifying, haunting, soulful experience that will now go national with the release of the new album, and tour to follow.

The first single from Symmetry Somewhere is “Curtain Call,” an ironic choice for a beginning, but one that has actually been a part of the band’s set since the start. An earlier version of the song appeared on Tabah’s debut EP, but owing to the five-headed monster (or many-armed Buddha?) that is Tabah, the song has become something else over time.

Indeed, Murphy explains that “‘Curtain Call’ grew along with us. Shorter, meatier, yet still lush, it now evokes a beginning that can only come from something else’s end.”

Bruber concurs, giving the song the credit for helping the band become what it is today.

“The reaction we received for that song in our early days of playing Minneapolis gave us the confidence to grow,” he says. “In some ways, ‘Curtain Call’ was the boost we needed for us to feel like we were doing something special.”

Now that Symmetry Somewhere is completed, the members of Tabah continue to seek – personally and also professionally – through their visceral ability to connect in meaningful ways with their rapidly expanding audience. Now they have the tangible result of this pursuit. The new album is already in their hands and ears, and soon, in yours. As for what can’t yet be physically grasped, it’s still waiting for us to discover. It might be Earthy. It’s definitely out there.

The debut album Symmetry Somewhere by Tabah is scheduled for release on March 17th, 2017, preceded by the single “Curtain Call,” streaming now. See Tabah on tour this spring.
Keith Millions
Venue Information:
James Ballentine VFW
2916 Lyndale Ave S
Minneapolis, MN, 55408
http://www.uptownvfw.com/